Nevertheless, the dense acting of actors Choi Min-sik/Yoo Hae-jin/Kim Go-eun/Lee Do-hyun does not have a proper point of view, and even though it may have been a sharp curve, it does not give the impression that the overall completion of the work is particularly poor because it was thoroughly intended screenplay and directing. It is a movie that is fun enough. However, I do not want the next work to be focused on realistic and subtle fear. The director and the director seem to have a much greater talent on this side. ★★★☆3.5/5.0 You could have scored 4.5. ㅠㅠ있었어넌Still, it turned out to be a disappointing movie for me, who expected a different kind of resolution and fear. The other half is a bit of a boxy and three-quarters of a page.Choi Min-sik, Kim Go-eun, Yoo Hae-jin, Lee Do-hyun, Kim Jae-chul, Kim Min-joon, Kim Byung-oh, Jeon Jin-ki, Park Jung-ja, and Park Ji-il’s release 2024.02.22.I think that’s where the punditry is at. The front part and the back part are all right. The front part is almost like a masterpiece, which gives me goosebumps. There’s another taste scare waiting after the sharp curve, which (unexpectedly) isn’t too bad. It’s a combination of two hilarious movies (though they may not go together) and the box office hit the record.Now, let me introduce today’s movie, “Hope of the Korean theater industry,” Jang Jae-hyun’s “破墓, Digging the Tomb” reminded me of Na Hong-jin’s unique characteristics, such as his aura and dry description in his film or trailer, and his approach to reality. He seemed to be in the position of fear for the first time in a long time.This work is not much different from the two previous works. A very, very secular character, the surreal phenomena entangled in it… The director’s style is so similar that it feels like cliché. It even suggests that the three works share the same worldview.The director’s previous film, The Priests and Sabaha, was also seen, and both were quite fresh approaches + masterpieces for domestic horror films, but by the standards I mentioned, they weren’t frightening.However, the composition of the genre is so different that the problem is that it’s very heterogeneous;; Is there any difference between the directors? The tension and the reality of the first half and the unknowns that come from this is really great. Once again, if the screenplay for the second half was written for the continuity of the first half, it might have been a masterpiece that will remain in Korean horror movies.Contrary to what is known, the quality of the last meal is not bad either. It brings enough fun to other resolutions, and it also has a clean ending without missing out on the rice cake and flair. However, the incredible tone and coolness of the work that was created in the beginning and middle of the work are air-decomposed with a huge drift (…). The last meal is not recovered. Does it end like this?!PS1. Maybe it’s because I’ve been playing the game “In King” diligently these days… Ah, it was nice to see you. In many ways. PS2. Unexpectedly, it’s a movie with a very strong nationalist color. I think it would have been better if it was just a little less personally, despite being an avid guppong faction. That’s all.There are no spoilers. There are screenshots that have been released. The common thing is, I have never hit my own horoscope, I have no religion, god/ghost/misyn… I don’t believe in anything that has a “god” in it. I think I put weight on science and rationality (compared to people in general). Of course, I also like occult and fantasy horror movies that are far from science (…), but I have high standards for these contents. As the subject matter is unscientific, I often ponder the approach, direction, and rationality/probability of the story compared to other genres.The real horror movies, for me, are those that deal realistically with surreal subjects. They don’t lean on a particular being, but they’re stifled by a vibe that encompasses the entire play. (They’re often rated as boring, if not all.)However, this work, “The Tomb of the Father,” approaches us with a material that is much closer to our reality than the previous works. The cast’s acting, the props of the film, the depth of the narrative are all very detailed and professional. It feels like something that should happen. It’s scary. It starts with a heavy probability of what can’t be explained by modern doctrines such as science and reason, and what you’ve crossed. The first half of the film is a masterpiece of this field, “The Wailing,” and it has a gloomy vibe.However, the movie has a very big drift in the latter half of the play, and it’s taking on the evaluation and box office performance of the original film. The drift itself, so to speak, is pretty cool. It’s been a long time since we’ve seen this kind of work in Korea, and it’s not a B-list or children’s film, but a well-made one. I think it’s the first time.Gonjiam (2018), who was very disappointed compared to his fresh approach. / It surprised me, but it was funny if it was funny, but scary… ;;;I was driving well, but fortunately, I didn’t get into an accident. That’s about it. Now that I’m about to do this, I’m sorry for the great build-up in the beginning.Exorcism of Emily Rose (2005)
